Photo Book Tips: Making the Most of Fall Photography
Some time ago I confessed that I have a secret desire to learn to take really impressive pictures that would look wonderful in a photo book. So when I saw Bob Ross’s Inkubook Serene Moments: The Photography of Bob Ross, I was more than a little jealous.
Bob has been a serious amateur photographer for about 40 years, and now that he’s retired and doesn’t have the demands of raising a young family he has more time available to devote to photography. Before he retired he spent a lot of time traveling by car on business trips, and he found that his love of photography gave him a greater appreciation for his surroundings than he otherwise would have had. Now he takes pictures on a monthly basis, and he sees it as some people see fishing: It’s great when he comes home with something nice, but it’s just as great when he doesn’t.
Bob was kind enough to share some tips that he feels contribute to his ability to take fantastic photos, so we’re sharing them with you today. This weekend, get out in the fresh air to try your hand with some of these suggestions. The change of seasons is a perfect opportunity to take photos of your surroundings. After all, practice makes perfect!
Photography Tips
1. Use a tripod whenever possible.
2. If your camera accepts filters, use a polarizing filter. It reduces glare and increases the color saturation, as well as darkens blue skies. Caution: Look through the viewfinder and rotate the polarizer to see the effect you want or it could have the opposite effect from what you’re seeking.
3. The first hour after dawn and the last hour before sunset are the best times for shooting. The low light models objects better and increases color saturation. Sun directly overhead is the poorest light, but if you like the scene and it’s midday, shoot it anyway. An overcast day is also great for fall photography.
4. Backlighting of fall leaves is wonderful. Backlighting is where the sun is coming from behind the object you’re shooting and lighting up translucent objects such as leaves. Be careful, however, to avoid the sun shining directly on the front of the camera lens.
5. When composing the scene, try to place objects of the greatest interest (such as a lone tree in a field or a church steeple set against a hillside) anywhere other than dead center in the picture. Moving objects of interest to the upper right, lower right, upper left, or lower left is more attractive placement than having them in the center. Try it. You’ll see the difference.
6. If there is a horizon in your picture, it is best to NOT place it right in the center. Move it up if you’re emphasizing the foreground or down if you want to emphasize the sky. Having the horizon in the center is static unless you’re shooting something with a reflection of itself in a pond or lake.
7. Close-ups are always a good idea. A few leaves on the ground or berries are appealing subjects for close-ups if your camera allows.
Tips for Digital Processing
Most digital cameras default to a setting that yields softer and less colorful pictures. That’s because so many shots are taken of people. When working with nature photography, you overcome this by using the software that came with your camera to process the photos on your PC. Experiment with increasing color saturation, contrast, and sharpness. Always sharpen a photo LAST, after having made all other changes. You’ll find that you can double the impact of a digital photo by careful use of the adjustment options that come with the software. After you’ve made your adjustments, you’ll want to click on File then Save As. Rename the picture, and when you finally save it you’ll be making a clone of the original with all your changes while saving the original so that you can go back to it if you don’t like the results or want to experiment more.
General Suggestions
Consider these scenes for your fall photography: waterfalls, decrepit old barns with colorful trees beside them, lovely old homes, or any kind of water such as a stream, a pond, or a lake. You can photograph property without permission from a public position, but always ask permission before going onto private property.




